I loved Petra Reid’s MacSonnetries: The Buds of May be, a witty sequence of 154 sonnets, with a contemporary postmodern twist. Each sonnet stands alone: the May be after the Buds suggests a joyful irreverence. Each poem is a response to Shakespeare’s original. It employs the Golden Shovel method, maintaining the Bard’s line endings in every sonnet. I did not immediately notice this at first reading: the structure is unobtrusive. Reid glides effortlessly over the social, political, cultural, and ideological mores of our times. The imagery of social media, computers and artificial intelligence, is juxtaposed humorously with Shakespeare’s concerns over procreation, jealousy and mutability. One of my favourite lines from Sonnet 65 becomes ‘Since jobs, nor shifts, nor hours, nor rising sea’ — I laughed out loud, not resenting the liberty taken by Reid. Shakespeare’s Sonnet 2 provokes the nonchalant feminist response that fillers can produce ‘baby bum smooth skin’; seventy-year olds can look like twenty somethings nowadays. Elsewhere there are references to Rupert Murdoch and Jerry Hall: ‘she will make him last for ever’. Madonna, Nigella, and domestic goddesses also get a mention. I relished the online dating advice: ‘only post your happy’ bits because ‘bingo wings selfies so cruelly show’, as well as ‘how to drop that sinful extra stone’. Subprime mortgages, non-Doms in London, Kim Kardashian and Tinder with Toy-boys are all covered. Finally, Shakespeare’s Sonnets104, 105, rendered into Scots, reveal Reid’s skill in this medium too. This erudite versatile collection offers the double pleasure of rereading Shakespeare, and Reid’s responses, separately, or side by side.